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      <image:caption>Raku Glaze on Raku-Grade Stoneware</image:caption>
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      <image:caption>“Lost at Sea,” 2024; Cyanotype soaked in tannic acid on paper; 9¾”H x 8”W. I drew this sailboat on vellum and exposed it to the sun. It is a 420 radial, which is one of the sailboats that I instruct on in the summers. Then, I treated the cyanotype with tannic acid to get the darker weathered tones.</image:caption>
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      <image:caption>Cylinder, Cone, Sphere 3D Study, 2021; Graphite on paper; 1’H x 1’6”W. This 3D study was done in my Intro to Fine Art class. The focus was to use the blending technique of intricate circular shading to create dimensionality. No blending tools could be used. I completed this piece in five class periods.</image:caption>
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      <image:caption>“Rough Sea,” 2024; Digital Print.</image:caption>
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      <image:caption>“Jellyfish,” 2024; Cyanotype on paper; 6”H x 5½”W. I am really drawn to sea life and the beach and did some drawings of jellyfish on vellum which I then exposed in the sun.</image:caption>
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      <image:caption>"Gesture Study to Music," 2021; India ink, conté crayon, charcoal, and graphite on paper; 1’10½”H x 1’3”W. For this Gesture Study, my art teacher played a range of music from classical to pop. I combined objects found outside (sticks, flowers and leaves) with a graphite pencil, India ink, and charcoal to sketch what the music made me feel. Completed in one class period.</image:caption>
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      <image:caption>“Out on the Town,” 2023; Digital Print.</image:caption>
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      <image:caption>“Mahi,” 2024; Cyanotype and India ink on paper; 11⅝”H x 10⅝”W. An experimental piece that took a turn to become a finished work. I was initially experimenting with actively altering the cyanotype as it was exposed to the sun. I sprayed bleach and painted watercolor during this process. This resulted in a really unique pattern that reminded me of the skin of a mahi, which I drew using a fountain pen dipped in India ink. (During the summer, I fish for mahi with my dad and sisters. I love the colorful tones found in their skin!) In this piece, I like how the mahi only catches your eye when viewed closely.</image:caption>
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      <image:caption>“Study of a Baja Elephant Tree,” 2021; India ink on paper; 10”H x 8”W. Hand sketched from live observation using a fountain pen that was dipped in India ink. Completed in one class period.</image:caption>
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      <image:caption>“Palm Desert 1,” 2023; Digital Print.</image:caption>
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      <image:caption>“Night Aura,” 2024; Cyanotype on paper; 11⅝”H x 10 ⅝”W. I altered a cyanotype during sun exposure by splattering hydrogen peroxide on the paper. I then laid rocks on the center of the paper, which resulted in lighter blue spots. Lastly, after the exposing process was over, I splattered bleach to create the star-like dots throughout the piece.</image:caption>
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      <image:caption>"Study of 'In the Car' by Roy Lichtenstein (1963)," 2022; Acrylic on paper; 1’10½”H x 1’10”W. In this Intro to Fine Art project we were tasked to choose any famous painting and replicate it using acrylic paint. No tools but a paint brush were allowed to be used; The replication was done entirely by observation. I chose "In the Car" by Roy Lichtenstein (1963) because I enjoy pop art and felt that it would be a fun and challenging piece to replicate under the parameters of the project.</image:caption>
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      <image:caption>“Palm Desert 2,” 2023; Digital Print.</image:caption>
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      <image:caption>“Still Life Study,” 2022; Graphite on paper; 1’8¾”H x 1’3¾”W. For this still life study, we were tasked to build a scene within a shoe box using a wooden mannequin, plastic cup and magazine clippings. I drew and shaded this piece from direct observation over two class periods.</image:caption>
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      <image:caption>“Palm Desert 3,” 2023; Digital Print.</image:caption>
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      <image:caption>“Study of Skeleton and Figure of Life,” 2022; Graphite on paper; 1’3”H x 1’10½”W This drawing was done from observing a figure drawing model in class and a human skeleton, and then overlapping them to practice human proportions. We worked on this project for two class periods.</image:caption>
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      <image:caption>“Retro Chic,” 2023; Digital Print.</image:caption>
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      <image:caption>"Hand Study," 2022; Graphite on paper; 8½”H x 11”W.</image:caption>
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      <image:caption>2023 PDS Empty Bowls</image:caption>
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      <video:description>Eraser Stop Motion Animation, 2021; Charcoal and chalk on paper; Photos taken using an iPhone; Animation done on iMovie with original music created using Garage Band.</video:description>
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      <video:description>"End of Beginning" by DJO Lyric Music Video, 2024; Digital frame-by-frame drawing using Procreate, and iMovie. In Introduction to Animation and Design we were tasked to create a lyric music video by any digital platform. Using Procreate, I drew over 500 images that I then sequenced frame-by-frame and edited in iMovie to align with the music. This animation project took me several weeks to complete.</video:description>
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      <video:description>“Walking on a Dream” by Empire of the Sun Lyrical Music Video, 2024; Digital frame-by-frame drawing using Procreate, and iMovie.</video:description>
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    <lastmod>2026-11-05</lastmod>
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      <image:title>Home - Selected Course Work</image:title>
      <image:caption>Raku Glaze on Raku-Grade Stoneware</image:caption>
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      <image:caption>“Lost at Sea,” 2024; Cyanotype soaked in tannic acid on paper; 9¾”H x 8”W. I sketched this sailboat on vellum and exposed it to sunlight to create a cyanotype. The boat is a 420, one of the sailboats I learned to sail as a camper and later taught on as a summer sailing instructor. I then treated the cyanotype with tannic acid to create darker, weathered tones. I enjoyed experimenting with how light and the chemical process could transform a simple drawing into an image with depth and character.</image:caption>
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      <image:title>Home - Selected Course Work</image:title>
      <image:caption>"A Taste of Yesterday," 2026; Digital print.</image:caption>
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      <image:caption>“Jellyfish,” 2024; Cyanotype on paper; 6”H x 5½”W. Growing up spending summers down the shore (as we say in Jersey!), I developed a lasting fascination with the ocean and its marine life. For this project, I drew inspiration from the graceful, almost otherworldly forms of jellyfish, sketching them on vellum before exposing the drawings to sunlight. I enjoyed experimenting with the process and seeing how light could become part of the artwork itself.</image:caption>
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      <image:title>Home - Selected Course Work</image:title>
      <image:caption>Cylinder, Cone, Sphere 3D Study, 2021; Graphite on paper; 1’H x 1’6”W. The focus of this 3D study was to use the blending technique of intricate circular shading to create dimensionality. No blending tools could be used.</image:caption>
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      <image:caption>"A Question of Perspective," 2026; Digital Print.</image:caption>
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      <image:title>Home - Selected Course Work</image:title>
      <image:caption>“Mahi,” 2024; Cyanotype and India ink on paper; 11⅝”H x 10⅝”W. This piece began as an experiment in altering a cyanotype during sun exposure. I sprayed bleach and applied watercolor while the image developed, creating an unexpected pattern that reminded me of the colorful skin of a mahi. Inspired by summer fishing trips with my dad and sisters, I used a fountain pen dipped in India ink to draw the fish into the composition, capturing the vibrant tones and patterns I love about mahi. I especially like that the fish reveals itself only upon closer inspection, making it a subtle discovery within the larger composition.</image:caption>
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      <image:title>Home - Selected Course Work</image:title>
      <image:caption>"Gesture Study to Music," 2021; India ink, conté crayon, charcoal, and graphite on paper; 1’10½”H x 1’3”W. For this gesture study, my fine arts teacher played a range of music, from classical to pop, and challenged us to translate what we heard into visual expression. Using natural materials I collected outdoors, including sticks, flowers, and leaves, along with graphite, India ink, and charcoal, I explored the movement, rhythm, and emotions that each piece of music inspired.</image:caption>
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      <image:caption>"The Art of Symmetry: The Alhambra, Granada, Spain," 2026; Digital print.</image:caption>
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      <image:title>Home - Selected Course Work</image:title>
      <image:caption>“Night Aura,” 2024; Cyanotype on paper; 11⅝”H x 10 ⅝”W. I experimented with altering the cyanotype during sun exposure, splattering hydrogen peroxide across the paper to create variations in the developing blue tones. I then placed rocks over the center of the paper, allowing them to block the sunlight and leave lighter impressions against the darker background. Once the exposure process was complete, I added splatters of bleach to create the star-like dots scattered throughout the composition. I enjoyed seeing how each intervention transformed the image to create layers of unexpected detail.</image:caption>
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      <image:title>Home - Selected Course Work</image:title>
      <image:caption>“Study of a Baja Elephant Tree,” 2021; India ink on paper; 10”H x 8”W. Hand sketched from live observation using a fountain pen that was dipped in India ink.</image:caption>
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      <image:caption>“The Path Ahead,” 2023; Digital Print.</image:caption>
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      <image:caption>“Retro Chic,” 2023; Digital Print.</image:caption>
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      <image:caption>“Out on the Town,” 2023; Digital Print.</image:caption>
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